Four women, who have lived for more than three decades within the confines of patriarchy and compulsory heterosexuality, gradually become entangled as they arrive at gender-queer and lesbian identities through different paths in life. Their testimonies and personal records, revealed through extended conversations and interviews, intersect with Adrienne Rich’s concepts of “lesbian existence” and the “lesbian continuum,” queer Korean history, letters, critical writings, and other diverse texts. The artist reconstructs these materials through acts of copying by hand, erasing, tearing, and repeated editing, creating an open narrative in which different times and voices intersect rather than binding personal memories into a single, complete story. Together with a professional performer, the participants transform emotions and memories that cannot be fully articulated through words or writing into movements of “swimming,” performing a language of the body in a public square. In this process, their bodies intertwine and question one another, moving toward what lies beyond language.

Growing up with divorced parents, 15-year-old Haeun is left completely alone after losing her mother. Before she has time to grieve, she is confronted with a stack of unfamiliar documents filled with terms she has never seen before. They are the paperwork and administrative procedures she must complete to settle her mother's affairs and begin living on her own, but they are overwhelming for someone still so young. Her aunt visits from time to time and offers to help, yet her kindness seems to come with hidden intentions. With no one else to rely on, Haeun decides to seek out the father she doesn’t remember. After finally tracking down his phone number, she nervously calls, but only hears the ringing tone. He never answers. She tries again using her late mother's phone, but there is still no response. As a last attempt, Haeun prepares to leave him a voice message, but no words come out.

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사랑의 배신으로 미혼모가 된 서영주는 사랑하는 아들 준영까지 빼앗긴 채 낙도의 한 보건소에서 간호원으로 일하게 된다. 그러던 어느날 영주는 폐결핵으로 입원하게 된다. 영주의 병세를 알리는 보건소장의 편지는 어머니가 미국에 있는 줄만 알고 기다리던 준영의 손에 직접 들어가 준영이 알게 된다. 준영은 가족들 몰래 서울을 빠져나가 어머니를 찾아 목포까지 내려오지만 역원의 미아 신고에 의해 곧 아버지 세준에게 인계된다. 비로소 영주의 근황을 알게 된 세준은 준영과 함께 문병하고 영주를 큰 병원에 입원시킨다. 영주는 세준의 가정을 위해 준영과의 약속을 어기고 신체 장애 아동 재활원 보모로 취직한다. 그곳은 섬에서 헤어진 혜자가 있었다. 준영이네 학교와 자매결연을 맺은 사이여서 세준과 영주모자는 다시 감격적인 해후를 하게 된다. 因爱情的背叛而成为未婚母亲的徐英珠，被夺走了爱的儿子俊英，并在洛道的某保健所工作。但是，有一天，英珠因肺结核住院。保健所长的病情告上了英珠的病情，他亲自来到了俊英的手中。俊英家人偷偷地离开了首尔，来到了木浦，但由于她的未申报，很快就交给了父亲。才知道永柱的近况的世准与俊英一起住在医院，住在一家大医院。英珠为了给世主的家庭，违背了准英的约定，并在身体残疾儿童的保育院工作。那个地方曾经是一个岛屿上的惠子。俊英与你的学校结成姊妹关系，因此，世俊和英珠帽将再次进行感动。

我们已经忘却了这条河流。2008年，随着四大江项目开工的消息传来，我搭起帐篷，开始拍摄因建造永州大坝而对内城江所做的改造。与防洪、保障水资源和改善水质等承诺无关，这条河失去了它原本的……

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暂无英文版的简介，请添加内容帮助我们完善数据库。

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In Jecheon, South Korea, there's a vocational high school for multicultural youth, where about 70% of students were born overseas. This documentary follows three students—Moses, Yushin, and Shakhzoda—as they navigate life as teenage immigrants in Korea, facing challenges with language, family, and visa status while pursuing their dreams.

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